What you can hire Thaer to do
Six areas of Arabic work, from writing a single op-ed to Arabising an entire project. Most engagements combine more than one, because a real project rarely needs only translation or only writing.
What separates this from ordinary translation is where the work starts. Instead of taking an English text and converting it, each section is judged on what it needs to achieve in Arabic, then translated, adapted, restructured or written from scratch accordingly.
The six services
Arabic writing and ghostwriting
Arabic articles, opinion pieces and executive content written from a brief rather than translated from an English draft.
Some content should never begin life in English. An op-ed written for an Arabic readership argues differently, opens differently and closes differently from its English equivalent, because the reader's expectations are different. Translating a finished English piece flattens all of that.
The work starts with a conversation about the argument, the audience and the publication, then moves to a draft written directly in Arabic. Where the piece appears under someone else's name, the priority is a voice that sounds like them and holds steady from the first line to the last.
Typically includes
- Press releases and media statements
- Op-eds, features and long-form commentary
- Executive bylines and thought leadership
- Speeches, scripts and talking points
Suited to: Executives, founders, professionals and communications teams publishing in Arabic.
Corporate and professional content
Arabic corporate material that keeps one consistent voice across announcements, profiles, reports and internal communications.
Organisations rarely produce Arabic through a single channel. Different teams, agencies and freelancers contribute over time, and the result is content that is individually acceptable and collectively inconsistent. Terms vary, the tone shifts, and readers sense that no one is in charge of the Arabic.
This service treats corporate Arabic as one voice with many outputs. Terminology and register are set at the level of the organisation, then applied to whatever is being produced, whether that is an announcement, a leadership profile or an internal memo.
Typically includes
- Announcements and corporate statements
- Company and leadership profiles
- Report narratives and summaries
- Internal and employee communications
Suited to: Organisations and agencies producing Arabic content regularly rather than occasionally.
Website and digital Arabisation
A full Arabic version of a website, including navigation, interface text, forms, headings and metadata, reviewed as one site rather than a set of files.
A website is not a document. It is hundreds of short, repeated, highly visible pieces of text that have to agree with each other. Buttons, menu labels, form fields, validation messages and empty states carry as much weight as body copy, because visitors meet them at the moment they are trying to do something.
Arabic sentences also behave differently in a layout. Headlines wrap, buttons stretch and stacked taglines lose their rhythm, so some sections are rewritten for the design rather than translated into it. The last stage is reading the Arabic site the way a visitor would, following the main journeys from end to end.
Typically includes
- Page copy adapted for Arabic readers
- Navigation, buttons, forms and microcopy
- Arabic page titles, meta descriptions and alt text
- Terminology list applied across the whole site
Suited to: Companies and ventures launching or repairing an Arabic version of their website.
Campaign and marketing Arabisation
Campaign lines, concepts and assets rebuilt for Arabic audiences so the intent survives even when the wording cannot cross over.
Marketing language is where direct translation fails most visibly. Wordplay, cultural shorthand and rhythm are the point of a good line, and they almost never transfer. What can transfer is the intent: what the campaign wants the audience to feel and do.
The work involves rebuilding lines rather than converting them, and being explicit about where an Arabic idea has been written fresh. Where several options are useful, they come with a short note on the reasoning so the team can choose with confidence.
Typically includes
- Headlines, taglines and campaign concepts
- Social and digital ad copy
- Video scripts, subtitles and voiceover text
- Landing pages and campaign microsites
Suited to: Marketing teams and agencies running campaigns for Arabic-speaking audiences.
Arabic editing and quality review
A structured review of existing Arabic, whether it was translated, written in-house or generated by AI, covering accuracy, register, terminology and consistency.
Weak Arabic is usually not a grammar problem. It is a mixture of drifting terminology, a register that does not match the audience, phrasing that reveals its English origin, and sections that contradict each other because they were produced months apart.
The review covers the whole body of content rather than individual pieces, because the same issues tend to repeat. Where AI has been used at scale, this is normally the fastest route to something publishable, since the recurring patterns can be corrected once and applied throughout.
Typically includes
- Line-level edit for accuracy, clarity and register
- Terminology alignment across all content
- Notes on recurring issues and how to prevent them
- A clean, publication-ready Arabic version
Suited to: Teams with existing Arabic content that is inconsistent, dated or AI-generated.
Complete project Arabisation
Everything a project needs in Arabic, handled as one body of work with a single set of terminology and tone decisions.
Larger projects rarely fit into one service. A launch might involve a website, a press release, a campaign, a report and a set of executive quotes, all produced by different people to different deadlines. Handled separately, they end up sounding like separate projects.
Complete Arabisation takes the whole scope at once. Terminology and tone are fixed before drafting, each component is translated, adapted or written as it requires, and a final review reads everything together to confirm the project holds as one piece of communication.
Typically includes
- Scope review and content inventory
- Project terminology and tone guide
- Arabic delivery across every component
- Final editorial review of the complete project
Suited to: Launches, market entries, rebrands and any project where Arabic spans several channels.
How an engagement works
Every project runs through the same four stages, whether it is one op-ed or an entire website.
- 01
Brief and scope
What the content is, who it is for, where it appears and what it should achieve. This is also where the boundary between translation and original Arabic writing is agreed.
- 02
Terminology and tone
Key terms, names, titles and register are fixed before any drafting, so the same decisions hold across every page and every piece.
- 03
Drafting
Each section is translated, adapted, restructured or written from scratch according to what it needs, with the Arabic reader in mind rather than the English sentence.
- 04
Review and handover
A final editorial pass across the whole project together, checking accuracy, consistency and flow, then delivery in the format your team works in.
What a project needs to start
A short brief is enough to begin. The clearer the picture at the start, the more accurate the quote and the fewer revisions later.
Most projects start once a few things are clear: the content itself or a brief describing it, who the Arabic is for, where it will appear, and when it is needed. Nothing has to be final. Existing Arabic can be sent as it is for review, and an outline is enough when the content is still being written.
- The content, or a brief describing what needs writing
- The audience and the purpose the Arabic should serve
- The platform or format, from a website to a press release
- Any existing Arabic, terminology or brand language to follow
- The deadline, or the rough window you are working towards
How projects are quoted
Every project is quoted individually, once the scope is clear. There are no fixed per-word or package rates, because the same word count can mean very different amounts of work.
A quote is built from four things: the scope of the project, its complexity, the type of content and the treatment it needs. Scope is how much there is and how many components are involved. Complexity covers the subject, the research and the number of people who need to sign off. Content type ranges from straightforward copy to executive or editorial writing. Treatment is whether a section needs close translation, adaptation, restructuring or original Arabic writing.
A short campaign line and a page of routine copy can take the same time to produce, which is why treatment matters more than length. Once the brief is clear, you receive a single project quote before any work begins, with no obligation to proceed.
Service questions
Not sure which of these your project needs?
Describe the project and I will tell you what it actually requires, including when plain translation would be enough and no Arabisation is needed.